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Darwyn Cooke "Batman Ego" The specific story Batman Ego has Cooke wrestling with the Batman premise from the character's oft' told origin, especially the dilemma of whether to kill or not. Included is the obligatory retelling of Bruce Wayne's parents demise (which Cooke handles with some deftness, though contributing nothing new that is not already written in stone at DC Comics since Frank MIller's Dark Knight Returns. I wish Wayne's mother could wear some other jewelry for a change, since as soon as the origin story begins to be recounted, you know those pearls are going to get slapped on, along with the mention of Zorro). In the tale, the main issue is a Batman, weak and delirious from blood-loss, having a period of psychosis in which Bruce Wayne and a grim (and extra-large) Batman figure do a Charles Dicken's Christmas Carole journey into the past, and also mount a monumental argument about how to continue their mission to fight criminal kind. Killing the Joker is bandied about, with the question of whether it would be better to kill off a mass-murdering crazy man, or if there is a moral issue more important than the body count. Or, I would guess, DC Comics sales figures.) Cooke's design sense is so strong, and the stripped-down, simplified artwork communicates so directly his story points, the book is a marvel of comic book style. Since the stories cover a number of years, on display is Cooke's development and experiments with looser linework. Below are two pages from the aforementioned "Ego" - click to view larger versions. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - [Below] A bronze sculpture by Myra Weisgold that I saw in the current (July 2007) issue of American Art Collector.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - [Below] A page from Detective Comics #437, with artwork by Jim Aparo.
Spirit Summer Issue Baker has the strongest story, and though laced with humor it is darker than the usual Darwyn Cooke fare. His kinetic artwork is slabbed with large blacks, and this helps create the mood, and also obscures a little bit the grisly nature of his tale.
The Jodi Bernet/Jimmy Palmiotti tale suffers from the unevenness of Bernet's artwork. The story is Spirit "lite' and Bernet's straightforward cartoon approach fits the tale, but the action element is missing. It's the Spirit halfway to camp.
The Simonson scripted "Harder Than Diamonds" has meticulous artwork from Chris Sprouse and Karl Story. It looks pretty stiff compared to the other artists in this issue, but the artwork has some fine moments, and the coloring by Dave Stewart goes a long way toward filling in a more detailed visual world than either Bernet or Baker bother with in their stories.
The Spirit #7 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - [Below] Another page from my comic book story "Dream." This is page eleven.
To see additional Erik Weems artwork, go here.
Robert Lawson
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - [Below] Another page from my comic book story "Dream." This is page ten.
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HOSTING AND DESIGN FROM
eeweems.com