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MAY 19, 2006

CORBEN'S POE
MARVEL COMICS MAX 2006

This is the first issue of a 3-issue MAXX series from Marvel adapting Edgar Allen Poe to comics for $3.99 with scripts by Richard Corben and Rich Margopoulos and art from Corben. A longtime veteran of underground comics and the Warren horror comics of yore, Corben is probably one of the first names that comes to mind when thinking of Poe in comic book form (in fact, the only other artist who has specialized at comic book Poe I can think of is Berni Wrightson. If there are others, I certainly would like to hear about them.)

This trio of tales based on Poe is well drawn in Corben's slightly cartoony pen and ink style, which has a nice humor to it that relieves a bit of the unremitting bleakness of the stories. Corben is responsible for the scripting of the psychotic take-off of Poe's The Raven, in which the narrator is clearly out of his head and not the (at least potentially) sensible victim overwhelmed by events beyond his control as is themed in Poe's original poem. Margopoulos scripts the other two Poe tales, The Sleeper and Conqueror Worm. Both tales are hardly strict adaptations, with one concerned with vampiric cannibalism and the other with a post-apocalyptic nightmare of survival. Neither are themes of Poe's original poems, but make for unusual adaptations, and particularly in the case of Conqueror Worm, are successful in creating a cohesive genre short story. All three adaptations are pun-like in their overall execution and would not make a serious Poe scholar happy, unless that Poe scholar had a healthy sense of humor. (Complete versions of the original Poe poems are printed in this issue for comparison - either a nice touch or more so a brave move considering the treatments.)

Poe CorbenCorben's art is unique and his control over shadow and the depiction of figure weight is terrific. It's well thought-out and hardly like the frequently stigmatic styles in American comic books (it seems there has developed a figure style in American comic books that look a lot like - to me - figures from El Greco paintings, that is if El Greco's saints and Spanish noblemen had spent a lot of time working out with weights). Another strong trait of Corben is his populating the stories with varied character faces that do not look formulated all off the same head - - to the point, Corben draws people, though caricatured. He also throws in small sight gags here and there, but gets down to business quickly with horror visuals (these are pretty short tales) and any of these stories seem like they would easily fit into an old Warren comic from the 1970s (or even one of Corben's self-published books, though I suspect this MAX series is still tamer in regards to explicitness of the visuals).

Is there a nostalgic element to this package for Marvel comics? Corben has a cartoon "host" ("Uncle Deadgar") which opens up the contents page, who makes a few bad pun comments introducing the book (not unlike the 1950s EC Comics, or Warren's Eerie & Creepy, or for that matter, some of Corben's own self-published underground work from the 1960s and on.) Its hard for me to call it nostalgia when the man doing the work is one of the original progenitors of the style.

The scripting here is solid and is in contrast to the flaw that marred Corben's DC Comics "Solo" book from 2005.

Click to enlarge:
 (left) A panel from Corben's Batman tale that was in the 1998 Batman Black & White with a script by Bruce Jones.

The next issue of the MAXX Poe adaptations includes the stories The Tell-Tale Heart, Spirits of the Dead, Eulalie and The Lake. Judging from the contents of this first issue, there is no telling which way the adaptations might go, but they will be inventive riffs from off Poe's wordplay.

Does this method of adaptation do justice to the Poe tales/poems? It seems an unfair question because the original material is so changed, it really bears slender relationship to the source material. It is much like those old Universal horror films based on Poe from the 1930s (and all those truer to the source "Poe" American International movies from the 1950s-60s). Poe's writing, for the most part, is often said to be singularly about the interior life of the narrator, that any external depiction of events immediately voids (or transcends, depending upon your critical point of view) the story being adapted. Its quasi-Poe, or ersatz-Poe, but it's not really Poe. Probably a "visual Poe", either in film, or comics, or illustrated in books, is near impossible.

Marvel has a page about the series here.

Silverbulletcomics has a page on it here.

Random House has a page about the Margopoulos and Corben adaptation of Poe's House of Usher that was published in 2005 here.

Edgar Allen Poe by Richard Corben
[Above] A rough drawing from an inside cover of the book.

Divider Triangle

MIKE ALLRED A GO GO

Batman Allred
Click to Enlarge View

Michael Allred pokes a lot of fun at the Adam West era Batman, and takes Hourman and the Teen Titans through the wringer too for what is in effect a DC version of the old Marvel Not Brand Echh! self-parody title of yore. There is a bit of commentary on Batman in general as juxtaposed against the real world of criminal law enforcement, plus a lot of go-go 1960s references that make this 52-page comic (part of the DC Comics Solo Series) part love-letter and part kick-in-the-shins.

The artwork is beautifully stylized, and the coloring is a very nice update on the old prime-colors of comics golden, silver and bronze age schemes (there is even some color moires presented, a nice funny touch). The book ends with an plethora of assembled DC heros facing down modbots hatched right from some 1960s "continuity" that I have no familiarity with. But its all done with such smirking affection that I get the feeling Allred would be just as happy drawing the pinup pages that populate this book as stringing together stories to give reason for the pinups.

There is an official Mike Allred web site here.

Mike Allred Batman

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